Witch's Teat, 2023
Ceramic, shoe polish, plastic, steel
The series, titled 'Witch's Teat', consists of wall-based ceramic sculptures resembling growths on the skin, like moles, warts or pimples. Emerging from some of the waxed surfaces are steel "hairs" varying in length. The sculptures exude a curious blend of humor and unease as if adorning the exhibition space with an oversized mole on its metaphorical nose.
Hammari's sculptural practice frequently delves into the realms of female corporeality and its subjectification. In this particular series, the title alludes to the historical association of these bodily marks in the infamous witch hunts of the early modern period. During that time, moles, warts and blemishes were believed to signify the corruption of maternal powers by accused witches. These marks were suspected of serving as sources for feeding their imps, familiars, and even Satan himself, functioning as extra "nipples" for their demonic companions to suckle.
Images by Atelier 247